White wall decor succeeds or fails on texture, because it has surrendered color as a tool. The white and ivory range here is built for exactly that: hand-formed petals in pearl and ivory glazes whose entire job is shadow — the dimension reads where a white print would vanish. On a white wall, a white ceramic rose is tone-on-tone sculpture; on a green or navy wall, it is the crispest object in the room.
Gray wall art runs the same logic at a lower register, grey through charcoal, and the two families are shown together because that is how the rooms that want them actually work: the neutral aesthetic mixes its whites and greys rather than choosing. Each flower is shaped by hand and kiln-fired, so the neutrals stay clean — no yellowing, no greying beyond the grey you chose. Neutral wall decor that is permanent is rarer than it sounds; most of it is paper.
Gray wall art
Chive ceramic flowers have been carried at the New York Botanical Garden for over ten years, and at the Getty, Longwood Gardens, Denver Botanic Gardens, the Monterey Bay Aquarium, the Rock and Roll Hall of Fame, the Andy Warhol Museum, Chihuly Garden and Glass, and the Art Gallery of Ontario. Fourteen consecutive years at the RHS Chelsea Flower Show. Two-time winner of the 5-star booth award. Toronto-designed, handmade since 1999.
"The original thinking was to create a piece that you would find in an antique store's curio cabinet." — Todd Newgren, Co-founder/Designer, as featured in Vogue
Always Original, Often Copied: The Original Ceramic Flower Studio
Shaped by Hand: What Handmade Actually Means
RHS Chelsea Flower Show2026 4-star booth award recipient
2 x 5-star booth award — winner
14 consecutive years of exhibiting