The warm range is where the collection stops being polite. Yellow, orange, and red are the glazes people photograph first and buy second — they read as a commitment, which is exactly why the ceramic format suits them: a burnt-orange poppy is a five-minute decision with one screw behind it, where an orange wall is a weekend and a primer coat. The range runs buttercup and lime yellow through marigold and burnt orange to rust and red, mostly from the English Garden and France collections.
Warm glazes carry rooms differently by dose. One six-inch piece in burnt orange is an accent; a run of five across yellow-to-red is a statement wall that still cost less than the paint would have. Every flower is shaped by hand and kiln-fired, so the saturation is permanent — these are the shades that fade first in printed decor and never in fired glaze.
Yellow wall art
Chive ceramic flowers have been carried at the New York Botanical Garden for over ten years, and at the Getty, Longwood Gardens, Denver Botanic Gardens, the Monterey Bay Aquarium, the Rock and Roll Hall of Fame, the Andy Warhol Museum, Chihuly Garden and Glass, and the Art Gallery of Ontario. Fourteen consecutive years at the RHS Chelsea Flower Show. Two-time winner of the 5-star booth award. Toronto-designed, handmade since 1999.
"The original thinking was to create a piece that you would find in an antique store's curio cabinet." — Todd Newgren, Co-founder/Designer, as featured in Vogue
Always Original, Often Copied: The Original Ceramic Flower Studio
Shaped by Hand: What Handmade Actually Means
RHS Chelsea Flower Show2026 4-star booth award recipient
2 x 5-star booth award — winner
14 consecutive years of exhibiting